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10. |
The
widespread success of John Grisham and Scott Turow, in particular,
in America has made the legal thriller a big-bucks kind of book
to
write. Did you consider your American competition at all when writing
Final Witness? Have you read Grisham and Turow? What do you think
differentiates Final Witness from other legal thrillers out there
on bookshelves? |
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answer |
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11. |
The
character of Thomas Robinson is particularly insightful and finely
wrought. Did you begin the novel with an idea of him as a character
and build the novel out from there? If not, what was your starting
point and in what ways did the novel develop from that nexus? |
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answer |
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12. |
Any
surprises along the way - i.e. you thought the story was headed
somewhere and ended up somewhere else. Where in your writing process
and/or the book did that happen? How did you reconcile yourself
with the developing arc of the story? |
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13. |
Writing
suspense has always seemed really hard to me! I always wonder how
authors manage to build and build and build, all the while carefully
revealing certain salient details, and then wrap it is all up at
the conclusion. It seems like that would be really difficult! Did
you write and/or plan the ending first, and then work your way
back? If not, how did you manage to plot it all out? And, how did
you approach the suspense aspect of the book? |
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14. |
Any
tips for burgeoning authors on how to write suspense? |
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15. |
The
American legal system and the British legal system are quite different
in some ways. Did you find this a challenge to deal with, especially
for your American audience? Or did you feel comfortable assuming
readers would follow along pretty easily? |
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16. |
Whats
next? |
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